WORDS

I love this dark seasonal time leading to the longest night of the year— a juicy, gestational time of introspection, expectation, intent, and possibility.

I've tended to an altar in my studio space for many, many years. I've kept some kind of altar since I was nineteen. I like being open to the poetry of symbols— its not a matter of 'belief' but of possibility: what are the possibilities of meaning-making and intention-setting? An altar is a site to gather energy, focus work and life intentions, and honor what is right for you.

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For many years my fitness practice and creative practice have been intertwined. My home studio is music studio, film editing suite, workout room, sometimes visual arts studio, and a cozy research space with a lovingly tended-to altar: a symbolic and poetic environment for setting intentions and focussing energy.

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In late July and early August I spent a couple of weeks in the UK seeing ALL THE OLD THINGZ! and spreading artistic work around.

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Before embarking on the adventures of 2019, I’ll honor my 2018 work, and the work of my many collaborators, by logging some goodies below. Lots of my pals near and far follow my escapades on the interwebs, so join me in revisiting projects and looking at what’s ahead in 2019.

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Read my guest post at The Future Fire in celebration of the release of Making Monsters A Speculative and Classical Anthology

“This was the darkness in which ghosts and monsters were active, and indeed was not the woman who lived in it… -was she not of a kind with them?”¹

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Wow! Here we are, the end of 2017 already! Sometimes I do these official-type year-end look backs, sometimes not— this year it feels important to continue to honor my work in the world and the work of collaborators. So....

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